Lush chorusing, with none of the metal found in Dirty Plate. Smooth decay at all settings, from short to near-eternal.
Drums come alive when sent through Dirty Plate. High echo density, wide stereo image, and just the right amount of metallic sheen. All the warm and gritty artifacts of Dirty Hall, applied to an old-school digital plate algorithm. Plug in your analog synth and send yourself into retro sci-fi heaven. Lusher and denser than the Concert Hall algorithm, with loads of warmth and grit on tap, for a roughly hewn beauty. A fresh look at the Concert Hall algorithm, with the goal being to emulate the strange fixed point and convertor artifacts of early 80s reverb hardware. Sanctuary incorporates the bit reduction and floating-point gain control used in the A/D and D/A convertors of the early digital hardware.
Discrete early reflections, a dense late reverb that rapidly builds in echo density, lush detuned modulation. Inspired by a classic German digital reverberator from the 1970s. Useful for adding “air” to drums, vocals, and any place where a reverb should be felt but not heard. Combines time varying randomized early reflections with a full-featured reverb tail, with the balance between early and late reverb controlled by the Attack knob. Same as Random Space, but with the delay randomization replaced with lush chorused modulation. The modulation uses internal delay randomization, to reduce metallic artifacts without the pitch change that can occur in the algorithms with chorused modulation. This generates DEEP and WIDE reverbs, with a slow attack, and more diffusion than the late 1980s algorithms that inspired it. Highly diffuse, high echo density, less coloration than Plate/Room algorithms, chorused modulation. Medium diffusion/early echo density, somewhat darker sound, chorused modulation. Emulates the sound of early 1980s room algorithms. Highly diffuse, bright initial sound, high echo density, lush chorused modulation. Inspired by early 1980s plate algorithms. Similar to the Concert Hall algorithm, but with a brighter initial sound, and deeper and lusher modulation.
Huge spatial image, echo density that can be adjusted from very sparse to very dense, and lush chorusing modulation. Based on the hall algorithms of the late 1970s and early 1980s. New in ValhallaVintageVerb 1.7.1: Two new reverb modes, Chaotic Hall and Chaotic Chamber!
Valhalla vintage verb buy code#
You can use coupon code ICONICSPACES at the checkout to get a 30% discount until the July 22th, 2020.ValhallaVintageVerb is a postmodern reverb plugin, inspired by the classic hardware digital reverbs of the 1970s and 1980s. The expansion includes 90 presets for Valhalla VintageVerb: The versatile nature of VintageVerb also enabled us to create reverbs that are based on our fantasy, which resulted in reverbs that are not exactly similar to what you will hear in a real room, but how we think a reverb should sound if you want it to be obvious, almost an instrument in itself. But Valhalla VintageVerb is not just fantastic for recreating those famous iconic reverb sounds, it also has the ability to sound modern and transparent, which allowed us to create reverb presets that simulate real acoustical spaces, like rooms, chambers, halls and cathedrals. These reverbs have stood the test of time as they have been used on countless hit records over multiple decades and are still used today. During the design process of Iconic Spaces, we let us get inspired by some of the iconic hardware reverbs that launched in the 70’s and 80’s.
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